1984 john hurt richard burton movie poster
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That was my takeaway from this most recent viewing of Michael Radford's 1984. I'm curious to hear of other people's feelings about Orwell's story and this film.ġ984 arrives on Blu-ray for the second time, this round courtesy of The Criterion Collection.
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It's already a semi-creepy idea, but it's even creepier when you apply it to this film and how little actual privacy we enjoy today. These devices are in our pockets or nestled on our nightstands where they can be easily accessible - but they're always paying attention to what we're saying, reading, and buying. More and more people are using voice search through devices that are always listening and monitoring what we do every day so we have to create content that services that. We have to use them because that's how people talk. Some of the keywords we have to write for look terrible written out and read like grammatical gobbledygook but we have to use them. I work in the content creation side of things and keyword optimization is a big part of that. Working even in my limited capacity behind that curtain is fascinating and even a little bit scary. When I take off my movie reviewer hat and actually go to "work," day-to-day I'm in internet marketing. This viewing I came away more interested in how the story applies to the technology we have today and how it is being or can be manipulated. I'm not going to dig into the politics of censorship or ideological indoctrination. I've read the book about half a dozen times and I've seen this movie about that many and every time I make a round with either I come away with a new little insight in the world around me.
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It's a novel that in some way everyone can relate to or take a piece from and say: "Hey this is how I see this happing in my life today." It should be a conversation starter for people to come together and examine everything around them and to start figuring out how to prevent that nightmare world from ever actually happening. That's the thing I love about this story - it's a baseline. It's also a-political, whichever side of an issue you rest on, you can take pieces of Orwell's dystopia and apply them. Part of what makes 1984 so impactful is how you can constantly keep applying and reapplying the allegories to contemporary society. There is a terrific balance between the visual and character exploration that makes this adaptation a resounding success. The novel gave us insights to those thoughts, but wisely Radford let Hurt use his naturally expressive face to do the heavy lifting opting for voice over only when he's recording his thoughtcrimes in his journal. He's a thinker, someone who constantly observes the world around him. Like the novel, Winston doesn't say much. After seeing this film, it's nearly impossible to see anyone else filling out Winston as a flesh and blood individual. Through it all, John Hurt delivers one in a long line of memorable performances. The idea of dramatic revolution isn't a crowd of people armed with guns but a single individual who thinks differently. It's not a fast-paced action sci-fi extravaganza, it's slow and deliberate. But then we get to explore his dilapidated home where he fritters away his time lost in thought about a better world that he records in his secret journal as a view screen watches over everything and hears all.
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We see how he interacts with others - amiable, agreeing, and even helpful. On one hand, we get to explore Winston's world as a censor literally rewriting history one page at a time. I appreciate that Michael Radford went for the middle-line approach with this adaptation of 1984.
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Others are a bit more esoteric providing great visual potential but difficult to crack characters who live in their heads. Some stories are naturally cinematic and are easy to deliver to the screen. I tend to give movies a lot of leeway when it comes to adapting books and comics. Our own Josh Zyber did a great review of the 2015 Twilight Time release on the Off the Shelfblog that you absolutely should check out.
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When he begins a forbidden affair with the free-thinking Julia (Suzanna Hamilton), he becomes a target for Inner Party member O'Brien (Richard Burton) and the Thought Police. The day he started keeping a secret journal, Winston Smith (John Hurt) was guilty of Oceana's most serious crime - Thoughtcrime. Anyone not in line with The Party and supreme leader Big Brother undergoes harsh reeducation - or are eliminated from all historical record. The Party is the law, and the party is never wrong rewriting history and depicting world events to meet its vision. Oceana is the last thriving civilization of the world. "If you want a vision of the future, Winston, imagine a boot stamping on a human face - forever."